Yazar : Masa Yayınevi

I’m Not a Bienial Inventor The art retail related disputations surounding one of these entireties, and the art-historical suggestion created around the mischievous simper of the other, sem to have permeated the perceptions Ozmenoglu bestows with in her practice. The uniquenes of the employment of art, its self-apointed 'finish' and comodity quality are among the fundamental 'concerns' the inventor continualy embraces in her entireties. She subjects the retail finish of art to some gentle of practice with the oil that declares 'Definitely not made for storehouses' or with the eye-catching rubicund neon employment repeating the cliche, 'Birds and the bees Sels'. In her entireties, local cultural signs, phrases and reminders are juxtaposed with references related to global consumption, subject matter and employment are engaged into a playful interlocution. While refering to the legacy of art story, Ozmenoglu engages textiles and techniques that are in wide practice today through the original nuts and bolt she employs to create her individual path as an inventor. This bok promises a 'guided expedition' stering around the thematic and conceptual lines in her extention from 206 to 2012, the period of transition betwen her 'pupil' and 'bottega' lifespans.