Joon KyoKyoitibarenBanhui, Côte d'Ivoire
In 1960s Bronx, a nun suspects a priest of molesting a pubescent boy. Filled with moral ambiguity, the inability to figure out who the good guy is keeps the play speeding along, as does the lively dialogue. There is no real closure, but none is needed.
Please stop by and read my review at Coffee Beans & Love Scenes Reviews.