İçimdeki Müzik (Ciltli) (Kapak değişebilir) PDF kitap ücretsiz indir
İçimdeki Müzik (Ciltli) (Kapak değişebilir) PDF kitap indir veya çevrimiçi dinle
Yazar : Sharon M. Draper
11 yaşındaki Melody'nin fotografik hafızası vardır. Kafası bir kamera gibi gördüğü her şeyi kaydeder. Ve "stop" düğmesi yoktur. Okulun en zeki çocuğudur ama bunu kimse bilmez... Çünkü Melody konuşamaz, yürüyemez ve yazamaz... Ama bir gün bir mucize olur! Melody kafasının içindeki sesi keşfeder... Sesini asla unutamayacağınız bu cesur kızla tanışmaya hazır mısınız? İngiltere'nin saygın edebiyat ödüllerinden Coratta Scott King ödüllü yazar Sharon M. Draper'dan hüzün ve umut dolu soluksuz okunacak bir roman. " Cesur, sürükleyici ve samimi bir hikaye." - School Library Journal "Gözükara ve gerçekçi... - Kirkus Review İlham verici! Bu hikaye hepimizi birer aktivist haline getirebilir." - Booklist Daha az göster
İçimdeki Müzik (Ciltli) (Kapak değişebilir) PDF, FB2 kitap indir veya çevrimiçi dinle
- Yazar: Sharon M. Draper
- Yayımcı: Genç Timaş; 15. basım
- Yayın tarihi: 1 Mart 2017
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- Dil: Türkçe
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- boyutlar: 14.2 x 2.2 x 21.3 cm
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İçimdeki Müzik (Ciltli) (Kapak değişebilir)
studiofar
New York, USA - This love story set in New York is an enjoyable read and a good beach book. "He was a hunk in a way an eight year old just couldn't appreciate."
2022-10-21 05:51
lynchain
This is the novel that I wanted Graceling to be. An alternate world/reality full of adventure with a hardcore warrior heroine, and here's the key bit, who doesn't feel the need to unsex herself (à la Lady Macbeth) and prove that she's not feminine. In fact, all the female characters are wonderfully strong and unforgiving, no damsels finally, and there's just a general sense of equality - pretty much everyone is a warrior without a masculinity v. femininity contest. Where Graceling seemed in some ways downright offensive to a 'certain type' of women, Blood Red Road has a heroine who is unapologetic of her gender and doesn't attempt to constantly prove herself by becoming stereotypically masculine. Saba is a great heroine. She makes no pretense of being some kind of saviour or martyr, she simply has two missions: find her brother, and stay alive. She uses violence throughout, but only to accomplish her missions rather than some kind of demonstration of her worth. I also liked the love interest of the novel, even with all the unnecessary dithering about they both did with regards to one another, it seems romance is never straight forward. The dystopian element of the novel had just the right amount of action and horror, without that "I'm just cruisin along through this awful, oppressive society" like in Matched, where it's damn near impossible to care about the characters because even they don't seem too bothered about the whole situation. It was a refreshingly quick take-off too. I prepared myself for a slow start when I encountered dust clouds in the first few pages (uh, do I care?) but the novel got to the action almost instantly with a murder and kidnapping - that's right, no Diana Gabaldon style digression from the main story, I've missed this kind of novel that get's into the thick of the plot right away. Oh, and another thing... journies. I love journies in novels, when they're kept at a good fast pace you feel like there's constantly something happening. Though the books are actually very different from Blood Red Road, one of the main reasons I loved The Knife of Never Letting Go and Beyond the Deepwoods is because they had awesome fast-paced journies throughout. So, yeah, kudos for that. I know some people who've read ARCs of this didn't like the language style, but I did. I've always liked different accents, dialect and colloquialism. It was different, but a good kind of different. Though, on that subject, I'd just like to finish with my own opinion of a bad kind of different: What on earth is this bloody awful UK cover? The US version is a million and one times better:
2022-10-21 05:27
